A Brief Review: Sound of Metal

Welcome back to ‘A Brief Review’ a series of brief reviews on films from the present day and all the way back in time. Hoping to filter through the commotion and give some decent reviews of some rather decent films.

And the Academy Award for Best Actor in a Leading Role should have gone to…. Riz Ahmed! For me, there was only one winner at the 2021 Oscars, and it should have been Riz Ahmed for his stunning performance in the Sound of Metal. Directed by Darius Marder the co-writer of The Place Beyond the Pines (2012) which I think is an extremely interesting film about life’s twists and turns, the Sound of Metal documents the life of a heavy metal drummer called Ruben (Riz Ahmed) whose career is flipped upside down as he comes to terms with a rapid deterioration in his hearing. Anxiety and rejection take over as Ruben half-heartedly agrees to join up with a small deaf community run by Joe (Paul Raci), a thoughtful war veteran who strives to help Ruben in coming to terms with a world without hearing. Riddled with addiction and regret, Ruben needs to find some stability, understanding that being deaf doesn’t have to be such a negative thing, he must alter his life, but ultimately, he will become a better person because of it.

The Sound of Metal details the denial and deep routed fear that comes with life changing health issues. Early on in the film Ruben is told that he’s already lost 80% of his hearing, with the last part soon to follow if he doesn’t start making serious changes to his lifestyle. Ruben decides to ignore these warnings and keep working with the notion that everything will be fine, one show after another. Obviously, everything will not be fine, and even though Ruben was warned, he would never be ready for the experiences that would follow as he navigates a life without sound. Though his deafness takes centre stage, The Sound of Metal is also a very accomplished story about addiction. As Ruben becomes completely deaf, Joe identifies Ruben immediately as a recovering addict, knowing that this would be an extremely hard moment in Rubens life, a time that would seem easy for him to fall back into the cycle of drugs without his work to keep his mind occupied. With Joe, Ruben has an opportunity to forget the demons of his past, whilst being able to move forward as a role model in his new life.

Although the Oscars failed to recognise Riz Ahmed’s genius in the Sound of Metal, they did manage to acknowledge the unforgettable sound design. As Ruben’s body constantly changes, we are right there with him throughout. Whether it’s the muffled conversations, fades into darkness and even the complete silence, Darius Marder is a clearly a director who believes profoundly in placing the audience into the shoes of the title character. It wasn’t just an achievement as a brilliant story, it was proof of what is possible in cinema today. A tangible, atmospheric experience that will certainly become an unforgettable film for many years to come.

I constantly run out of superlatives to describe how much I loved Riz Ahmed in The Sound of Metal. An actor who went out of his way to learn the ways of American Sign Language and the art of drumming to create an authenticity to his character like no other. As charming as this effort in research was, the significance of his performance lies in more than just research and hard work. Ahmed was truly able to become Ruben in a number of different moments in his life. Whether Ruben was experiencing anxiety and rage as he enters into the unknown, this movie managed to achieve something great. The ability to locate genuine, frantic energy in the beauty of sound.

Darius Marder’s charm in direction has provided a film that relentlessly provokes thought well after the viewing, a heart-breaking story of loss and addiction that you just cannot take your eyes off. It simply has not received the praise it so duly deserves. 

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